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Genre: Drama
Director:
David Lynch
Writing Credits: Barry
Gifford (Novel), David Lynch (Screenplay)
Certificate: 18s
(Only suitable for persons 18 years of age or over).
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I picked Wild At Heart to start Claudia's Classic
Collection because the movie is a fairytale that brings back personal
fairytale memories. The first time I saw it was on a wide screen on
the Isola Tiberina in Rome, in the middle of the Tevere River, a place out
of this world itself, and Wild At Heart is a story that wants to bring
you to another dimension.
The film is a modern adult fable explicitly inspired by
the Wizard of Oz, to which it makes several and direct references.
Lynch chose the Wizard of Oz as inspiration to
make a parody of American society, a culture based on big cars, gratuitous
violence, weird sex, drugs and paranoia and he's a master at parodying the
reality he belongs to.
Wild At Heart is a story of escapism, a road
movie whose soundtrack swings from heavy metal, to Elvis, country music
and jazz, on a voyage that starts in an anonymous small town in North
Carolina, goes through Texas no-mans land and ends up in thriving New
Orleans.
Music is a key element, the main means, besides love,
to run away from a senseless reality. One of my favourite scenes is
the one in which Lula (Dern) and Sailor (Cage) stop in the middle of Texas
wilderness and dance madly to the sound of heavy metal blasting out of the
radio.
Wild at Heart is filled with symbols. First
of all there's fire. The film starts with Sailor lighting a
cigarette, and Lynch returns again and again to the mini explosion of a
match igniting. There are other images of fire used in the film
including a car busting into flames.
Another reoccurring symbol is the colour red. Lula,
and the image of her own mum which is a sex doll with long ruby nails,
lipstick tattooed on her lips and red shoes - like the slippers that
protect Dorothy from the evil magic of the Wicked Witch of the East in the
Wizard of Oz.
As in many other movies by Lynch, Freudian symbols are
ubiquitous: the Wicked Witch is, as a matter of fact, Lula's mum (indeed
Laura Dern's real-life mother is Diane Ladd), and when Sailor runs back to
the love of his life after many misadventures - mainly provoked by Lula's
evil mum - her picture fades away from the frame that Lula keeps on her
coffee table.
The dialogue is built on a mixture of stereotypes of pop
culture. Lula talks of the build up in traffic and of the hole on
the ozone layer - of guys and dolls movies - "The way your head works is
God's own private mystery", Sailor says. There is also 'fairytale
language', for example when the Good Witch appears to Sailor she says: "If
you're truly wild at heart you'll fight for your dreams"! There is
also comic strip jargon - when Sailor comes around after being beaten up
by a gang, he apologises, "to you gentleman for referring to you as
homosexuals..." (he had actually called them 'faggots') "... I also want
to thank you fellows: you've taught me a valuable lesson in life...".
Lynch interweaves reality and imagination. There are
vision-like characters, which seem to belong to a parallel universe, like
the Wicked Witch flying on her broomstick by Lula and Sailor's car in the
desert. Or a blind black woman making an apparition in a French
restaurant in New Orleans, a premonition of a future that no one can
foresee - because fortune is blind.
But there are other scenes when reality goes off the rails
- the two lovers dance in a nightclub and when a guy grabs Lula, Sailor
stops the band with a firm gesture of his hand; the singer throws the
microphone to our hero and, with the heavy metal band, he starts singing
an Elvis number, with the girls around him screaming like the fans at a
Presley concert!
This film has a huge amount of smoking in it! Sailor smoked his
first cigarette at four, and his mum was already dead from lung cancer.
Lula asks him, "what brand did she smoke?". "Marlboro, same as me", he
answers. There isn't a single scene without a cigarette being lit
up. One wonders, at times, if this isn't after all, a long Marlboro
commercial!
Finally, Wild At Heart is a love story but in the end will
love
win out over everything and everybody? The Good Witch tells Sailor,
"Don't turn away from love".
Reviewed by Claudia Sandroni,
Premier Movie
Reviews 2006
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