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Plot Summary

Bassanio (Joseph Fiennes) has
fallen in love with Portia (Lynn Collins), a wealthy young woman with
a plethora of suitors. In order that he may court the lovely Portia, in as
lavish a style as her other pursuers, Bassanio requests a loan from his
friend Antonio (Jeremy Irons). Antonio, who obviously can't refuse his
handsome young friend anything, admits that all his money is tied up in
overseas ventures but he will borrow what he can. Antonio ends up entering
into a money lending agreement with Shylock (Al Pacino), a rich Jew that
Antonio has treated disgracefully in the past. A grim penalty is set if
the money is not returned on the allotted day. Meanwhile, Portia is
impeded by an oath she made to her dying father from accepting or refusing
any of her suitors. The first man that successfully solves a riddle, which
her father had set, will be the one she will marry.
Review

This adaptation of William
Shakespeare's play successfully incorporates the elements of drama, comedy
and tragedy. In addition to this, the characters are well developed. Al Pacino's
performance as Shylock is very enjoyable. The unusual Shakespearean
dialogue which we would not be familiar in hearing from Pacino, and his
comfortable performance with the script and his role is probably the making of the film.
Jeremy Irons portrayal of the
Merchant of Venice was slightly staid. Although, this may have to do with
the interpretation of the character of Antonio as foolishly generous,
loving unwisely, having poor business judgement and being a bigot!
Joseph Fiennes
looks very handsome as Portia's paramour and little else was required from
this role. Lynn Collins revealed the aspects of Portia. The highlight of
her performance was the courtroom scene where Portia (dressed as a young
man) makes the decision on Shylock and Antonio's bond. This scene was
interpreted and transposed to film very well. Portia's authority and
advice and final decree was paced excellently and Collins lead this scene
expertly.
As usual with Shakespeare,
sub-stories in the play add to the humour but also the tragedy. Also, as
always
with Shakespeare, there are plenty of 'morals-of-the-story' and excellent
quotes to back them up and take home. However, the anti-Semitism that is
contained in the play is quite a shocking element of the story and is
introduced with a written description at the beginning of the film almost
as a warning. Shakespeare does, however, give Shylock quite a couple of
nice soliloquies in which to express his humanity.
Cinematography is worthy of this
Venetian Shakespearean play. Vivid imagery can be found throughout. 16th
century Venice is portrayed through the colourful settings and dress.
The Bottom Line:
If you like the work of Shakespeare, this is an interesting and visually
enjoyable adaptation of The Merchant of Venice.
Reviewed by Niamh Fox,
Premier Movie
Reviews 2004.
RELATED MOVIE REVIEWS: AL
PACINO:
Insomnia,
The
Recruit.
JEREMY IRONS:
The Time Machine.
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