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Genre:
Thriller/Drama
Director:
Gavin Hood
Certificate: Rendition was rated 15A
by the Irish Film Censor's Office (www.ifco.ie)
i.e. suitable for those of 15 years of age and over. Those under the
age of 15 must be accompanied by an adult.
Violence = strong. Drugs =
none.
Sex/Nudity = mild. Language = strong.
OFFICIAL WEBSITE:
Rendition
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Rendition is about the
post-9/11 American torture practices and shocks the audience into facing
the truth of what their fear created, both home and abroad. Rendition
made me ashamed to be associated, even by nationality, to those people who
voted for, or support the Patriot Act.
A terrorist bombing rips through a
crowded market street in the morning in an attempt to kill a
middle-eastern official Igal Noar (Abasi Fawal). They miss the official
but it sets in motion a series of events which leads to Anwar El-Ibrahimi
being kidnapped and taken to be tortured. Personally invested and morally
conflicted, CIA analyist Douglas Freeman (Jake Gyllenhaal) is brought in
to observe the “extreme interrogation techniques” approved by Corinne
Whitman (Meryl Streep) and inflicted upon the detainee, who may have
information on the bombing. Anwar’s wife, Isabella (Reese Witherspoon),
sets out on a mission to find her husband by contacting her old friend,
Alan Smith (Peter Sarsgaard), now Senator Hawkins’s (Alan Arkin) personal
aid. While Igal Noar attempts to deal with the terrorists in his country,
his daughter Fatima (Zineb Qukach), starts to slip into the hands of her
shady boyfriend, Khalid El-Emin (Mohammed Khquas).
The writing in Rendition
takes, what seems to the average American, an ethically grey area, and
starts to separate the colors into a story far more black and white.
Rendition asks and attempts to answer the question: what happens when
the most powerful people in the world become people of convenient
principle? Kelley Sane, the writer of this powerful script, asks the
question so boldly and without reservation, the audience is required to
face the truth of the answer.
Bringing the face to the question is
Omar Metwally, as Anwar El-Ibrahimi, the kidnapped “enemy combatant”
subjected to torture. Torture is difficult to play without being
melodramatic because its nature is over the top of what is reasonable.
Metwally embodies the sadness and hopelessness of a torture victim and
does it with no extraneous moaning or grunting. Every painful gesture and
expression is perfectly crafted in the moment. Look toward him for one of
the most powerful performances in Rendition.
The Romeo and Juliet-esque couple,
Fatima and Khalid are two of the most riveting characters in the movie.
Qukach wraps Fatima in a cloak of, maybe willful, naive innocence. Her
bushytailed love for Khalid is sweet and unabashed. Khalid’s love is far
more complicated. Khquas winds Khalid tighter and squeezes his heart like
a vice. Khalid is the most complex character in the story and Khquas
proves he can handle the immense weight of his character’s complexities.
Jake Gyllenhaal, Meryl Streep, Reese
Witherspoon, Alan Arkin, Peter Sarsgaard and Abasi Fawal each lend their
phenomenal talents to Rendition. Creepy, scary, frightening,
cowardly, vulnerable, and monstrous, every actor adds their own life and
personality to each character.
As fascinating as the acting is, the
cinematography is a triumph of its own. Dion Beebe uses light and lines
to create mood and ambiance that conveys unspoken feeling and ideas. The
cinematography sends messages that the audience might not even know
they’ve received. There is endless attention to detail, composition and
framing which polishes the movie and makes it glisten.
When the acting, the writing and the
cinematography goes right, it is the director who should be praised.
Gavin Hood, the director of Rendition, created a film whose themes,
performances and vision make people discuss what they really believe and
to face the consequences of those beliefs.
Rendition
will leave you wanting to talk about policies, war and what torture does
to the people being tortured. I, for one, think we could use the
discussion.
Reviewed by
LaRae Meadows,
Premier Movie
Reviews 2007
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