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My Darling Clementine
(1946) |
Genre:
Western
Director:
John Ford
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One
of John Ford's best loved Westerns and it’s still a wonderful experience
60 years on. Taking the old Wyatt Earp/Tombstone story Ford gives it a
poetic, heroic turn that is far more interested in the legend than in the
reality. The Earp brothers are driving cattle but after turning down the
offer to buy the herd from Old Man Clayton (Walter Brennan) they return
one night from Tombstone to find the herd gone and younger brother James
dead. Rather than seeking revenge the old way they play it by the law
with Wyatt (Henry Fonda) and Virgil (Ward Bond) taking up the posts of
Marshall and deputy to try to impose civilisation on the as-yet untamed
West. To complicate matters Doc Holliday (Victor Mature), who seems to
run Tombstone, returns, but after a sizing up stand-off settles into an
uneasy truce with Wyatt that drifts towards friendship - a friendship
tested by the arrival of Doc's old love, Clementine - he doesn't want to
know her but Wyatt is somewhat keener.
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Buy at AllPosters.com
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What is fascinating about it is that although it
has the legendary Gunfight at the OK Coral (which most versions have
as the centre piece of the film) Ford is much more interested in the
characters and how the unfolding events impact on them and their
relationships. Superb performances throughout from Fonda (reserved
but beginning to open up under Clementine’s influence) and Mature (a
normally wooden actor who gives a sad, sensitive reading to the doomed
Doc Holiday) along with Ford's normal stock company. The set pieces
are brilliant - the arrival in driving rain - the dance in the open
unbuilt church - the operation in the saloon (and Hamlet has never
sounded more poignant)… all shot by Joe MacDonald who provides some of
the best photography in cinema. Whether it’s the breathtaking skies
over Monument Valley or the fantastically lit interiors, with
characters reduced to silhouettes.....each scene is just fabulous... |
It’s light years away from the revisionist Westerns we're used to today
but as a portrait of men prepared to take a stand for what they believe in
and, if need be, pay the ultimate price, it takes some beating.
One of the greatest
Westerns ever made...
Reviewed by
George Kaplan,
Premier Movie
Reviews 2006. |